Nov 13, 2012 Columbia Records
For Good sung by Chris Colfer and Lea Michele aka Rachel Berry and Kurt Hummel from Glee – Season 2 Episode 22 ‘New York’ The song is property of both the creators of Wicked! and this version is property of Fox – Ryan Murphy Productions aka GleeOnFox and Columbia Records Visit my channel here: www.youtube.com Talk to me on twitter: twitter.com I am also on tumblr: lollylollypop13.tumblr.com
Aug 25, 2012 Universal Records
↓ For More New Music ↓ Facebook.com | Twitter.com Facebook.com | Twitter.com Facebook.com | Twitter.com Facebook.com | Twitter.com Facebook.com | Twitter.com Facebook.com | Twitter.com Facebook.com | Twitter.com Owl City feat. Carly Rae Jepsen – Good Time (Full Song) Owl City feat. Carly Rae Jepsen – Good Time (Full Song) Owl City feat. Carly Rae Jepsen – Good Time (Full Song) Owl City feat. Carly Rae Jepsen – Good Time (Full Song) owl city carly rae jepsen good time full song Owl City feat. Carly Rae Jepsen – Good Time (Full Song) owl city carly rae jepsen good time full song Owl City feat. Carly Rae Jepsen – Good Time (Full Song) owl city carly rae jepsen good time full song Owl City feat. Carly Rae Jepsen – Good Time (Full Song)
Jun 20, 2012 Columbia Records
William Earl “Bootsy” Collins (born October 26, 1951, Cincinnati, Ohio) is an American funk bassist, singer, and songwriter. Rising to prominence with James Brown in the late 1960s, and with Parliament-Funkadelic in the ’70s, Collins’s driving bass guitar and humorous vocals established him as one of the leading names in funk. Collins is a member of the Rock and Roll Hall of Fame, inducted in 1997 with fifteen other members of Parliament-Funkadelic. Biography  1960s-1970s With his elder brother Phelps, and Kash Waddy and Philippé Wynne, Collins formed a funk band called The Pacemakers in 1968. In March 1970, after most of the members of James Brown’s band quit over a pay dispute, The Pacemakers were hired as Brown’s backing band and they became known as The JB’s. (They are often referred to as the “original” JB’s to distinguish them from later line-ups that went by the same name.) Although they worked for Brown for only 11 months, the original JB’s played on some of Brown’s most intense funk recordings, including “Get Up (I Feel Like Being a) Sex Machine”, “Super Bad”, “Soul Power”, and “Talkin’ Loud and Sayin’ Nothing”. It is known that the young Bootsy clashed several times with the rigid system Brown used to discipline the young band whenever he felt they stepped out of line. After leaving the band Collins then moved to Detroit, following the advice of singer and future Parliament member Mallia Franklin Albums [[Year]] Band Album Title Record Label 1976 …
May 19, 2012 Columbia Records
Marion Harris (1896 – April 23, 1944) was an American popular singer, most successful around 1920. She was the first widely known white singer to sing jazz and blues songs. Born Mary Ellen Harrison, probably in Indiana, she first played vaudeville and movie theatres in Chicago around 1914. She was spotted by dancer Vernon Castle, who enabled her entrance into the New York theatre scene where she debuted in a 1915 Irving Berlin revue titled “Stop! Look! Listen!”. In 1916 she began recording for Victor Records, singing a variety of songs such as “Everybody’s Crazy ‘Bout the Doggone Blues, But I’m Happy”, “After You’ve Gone”, “When I Hear that Jazz Band Play”, her biggest success “I Ain’t Got Nobody”, and “A Good Man Is Hard to Find”, later recorded by Bessie Smith. In 1920, after the Victor label would not allow her to record WC Handy’s “St. Louis Blues”, she joined Columbia Records where she recorded the song successfully. Sometimes billed as “The Queen of the Blues”, she tended to record blues- or jazz-flavoured tunes throughout her career. Handy wrote of Harris that “she sang blues so well that people hearing her records sometimes thought that the singer was colored”. She herself said: “..you usually do best what comes naturally [and] so I just naturally started singing Southern dialect songs and the modern blues songs..” In 1922 she moved to the Brunswick label. She also continued to appear in Broadway theatres throughout the 1920s. She regularly played the Palace …
Mar 2, 2012 Atlantic Records
STUDIO VERSION For the lead guitar solo, guitarist Jimmy Page passed his Telecaster guitar through a Leslie speaker to create a swirling effect.This type of speaker contains a rotating paddle and was designed for Hammond organ. However, guitars could be used with it. Album One First Track Side One Led Zeppelin is the debut album of English rock band Led Zeppelin. It was recorded in October 1968 at Olympic Studios in London and released on Atlantic Records on 12 January 1969. The album featured integral contributions from each of the group’s four musicians and established Led Zeppelin’s fusion of blues and rock. Led Zeppelin also created a large and devoted following for the band, with their unique heavy metal sound endearing them to a section of the counterculture on both sides of the Atlantic.
Nov 17, 2011 Record Label
A video I shot at the RUSH concert in KCMO at the Starlight Theater on 7/1/2010. DISCLAIMER: I claim no copyright of the posted material. All rights belong to the original songwriters, performers, and record label (if applicable).
Sep 2, 2011 Record Label
Artist: Keri Hilson Song: So Good Album: No Boys Allowed (Target Deluxe Edition) Record Label: Mosely/Zone 4 NOT MINE!!! NO COPYRIGHT INFRINGEMENT INTENDED!!! Lyrics: I still remember that funny look on your face, face When I finally told you I’d be on my way, I’d be on my way, hey You called me crazy said I’m out of my mind I said but if I’d stay here, it’d be a waste of time I really gotta go, gotta get out of here, I’m running Gotta continue my journey Cause all lying and declining you know that I’m off I ain’t trying to go to when it was all that Boy when you had me you really know how to act Now when you call my phone, I dont even call back Hey, cause I’m too good for all that I wanna give this love back if I could My love is so good You wish you could get this girl back You miss me cause my love is so good My love is so good, so good, so good, so good, so good My love is so good, so good, so good, so good, so good My love is so good, so good, so good, so good, so good My love is so good, so good, so good, so good, so good All I remember was smoking mirrors, making pictures, raging temper, with him it’s different Look what you did to us, You used to find it hard to tell me you love me Now you need me I find it so hard, so hard to believe that you want me back Well I aint in no rush Everything that you wanted was yours Love was right in your face, face and now it ain’t no more, no more Cause all lying and declining you know that I’m off I ain’t trying to go to when it …